Van Dyke Jones (1953- )

Van Dyke Jones (1953- ) Titled: Pear for Oppenheimer,"  dated 1998 and signed "Van Dyk Jones" verso It is oil on canvas  Measures: 48.25"h x 56.25"w Farhat Art Museum Collection

Van Dyke Jones (1953- )
Titled: Pear for Oppenheimer,”
dated 1998 and signed “Van Dyk Jones” verso
It is oil on canvas
Measures: 48.25″h x 56.25″w
Farhat Art Museum Collection

Achieved by a combination of layer upon layer of prismacolor pencil and acrylic paint on canvas, Van Dyke Jones’ painting have a power, simplicity and richness of color with a technically classical look. In direct contrast is the contemporary caricature form used for Rex and is enviroment and the symbolism which comments on the plight of modern man and society. Illiminated with humor annd tinged with angst, through Rex’s comfortable form, chronicles and examines the nature of modern man.

Van Dyke Jones on Rex: “Rex, in my opinion, symbolically is the embodiment of everyman.
An individual whose outlook on life is so reality based it’s a tad off-center. Encountering situations with a quite, passive but apprehensive acceptance, Res moves through life as an observer who constantly questions the world he lives in.”

Beyond Rex…

The personality of pears. They speak of solitude and togetherness with their sensuality created form shape, shadows and light.

Individual in their self-expression distinguised by color, mood and composition.

Adventures in mixed media-a detour from the exploits of Rex who was my observer to the comedy of life.

And now….
My infatuation with pears is a direst result of my observation and attention to the romantic, luchness if life.

Van Dyke Jones

 

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